Opera Indigene: Re/presenting First Nations and Indigenous Cultures
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portes grátis
Opera Indigene: Re/presenting First Nations and Indigenous Cultures
Robinson, Dylan; Karantonis, Pamela
Taylor & Francis Ltd
03/2011
392
Dura
Inglês
9780754669890
15 a 20 dias
890
Descrição não disponível.
Contents: Introduction, Pamela Karantonis and Dylan Robinson; Part I Critical and Comparative Contexts: Opera's Colonizing Force and Decolonizing Potential: Orpheus conquistador, Nicholas Till; Decentering opera: early 21st-century indigenous production, Beverley Diamond; 'Singing from the margins': postcolonial themes in Voss and Waiting for the Barbarians, Michael Halliwell; Performativity mimesis, and indigenous opera, Pamela Karantonis. Part II Australian Perspectives: 'To didj or not to didj': exploring indigenous representation in Australian music theater works by Margaret Sutherland and Andrew Schultz, Anne Boyd; Giving voice to the un-voiced 'witch' and the 'heart of nothingness': Moya Henderson's Lindy, Linda Kouvaras; The Eighth Wonder: explorations of place and voice, Anne Power. Part III Indianism in the Americas: Indianismo in Brazilian romantic opera: shifting ideologies of national foundation, Maria Alice Volpe; Native songs, Indianist styles and the process of music idealization, Tara Browner; Composed and produced in the American West, 1912-1913: two operatic portrayals of First Nations cultures, Catherine Parsons Smith. Part IV Canadian Perspectives: Assimilation, integration, and individuation: the evolution of First Nations musical citizenship in Canadian opera, Mary I. Ingraham; 'Too much white man in it': aesthetic colonization in Tzinquaw, Alison Greene; Peaceful surface and monstrous depths: Barbara Pentland and Dorothy Livesay's The Lake, Dylan Robinson; The politics of genre: exposing historical tensions in Harry Somers's Louis Riel, Coleen L. Renihan. Part V New Creation and Collaborative Processes: Creating Pimooteewin, Robin Elliott; After McPhee: Evan Ziporyn's A House in Bali, Victoria Vaughan; West coast First Peoples and The Magic Flute: Tracing the journey of a cross-cultural collaboration, Robert McQueen interviewed by Dylan Robinson, with responses by Cathi Charles Wherry and Tracey Herbert, Lorna Williams, and Marion Newman; P
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
creation;tara;browner;horseshoe;bend;yorta;louis;riel;tomson;highway;Young Man;Holy Mountain;Chopin;Green Corn Ceremony;Horseshoe Bend;Yorta Yorta;Tara Browner;Rez Sisters;Pamela Karantonis;Cree Language;Il Guarany;Act III;Coast Salish;Okanagan People;Vancouver Opera;Libretto Adaptation;Scarecrow;Sydney Opera House;Opera Creation;Green Corn;Magic Flute;Balinese Music;Bob Baker;Played Back;Marie's Story
Contents: Introduction, Pamela Karantonis and Dylan Robinson; Part I Critical and Comparative Contexts: Opera's Colonizing Force and Decolonizing Potential: Orpheus conquistador, Nicholas Till; Decentering opera: early 21st-century indigenous production, Beverley Diamond; 'Singing from the margins': postcolonial themes in Voss and Waiting for the Barbarians, Michael Halliwell; Performativity mimesis, and indigenous opera, Pamela Karantonis. Part II Australian Perspectives: 'To didj or not to didj': exploring indigenous representation in Australian music theater works by Margaret Sutherland and Andrew Schultz, Anne Boyd; Giving voice to the un-voiced 'witch' and the 'heart of nothingness': Moya Henderson's Lindy, Linda Kouvaras; The Eighth Wonder: explorations of place and voice, Anne Power. Part III Indianism in the Americas: Indianismo in Brazilian romantic opera: shifting ideologies of national foundation, Maria Alice Volpe; Native songs, Indianist styles and the process of music idealization, Tara Browner; Composed and produced in the American West, 1912-1913: two operatic portrayals of First Nations cultures, Catherine Parsons Smith. Part IV Canadian Perspectives: Assimilation, integration, and individuation: the evolution of First Nations musical citizenship in Canadian opera, Mary I. Ingraham; 'Too much white man in it': aesthetic colonization in Tzinquaw, Alison Greene; Peaceful surface and monstrous depths: Barbara Pentland and Dorothy Livesay's The Lake, Dylan Robinson; The politics of genre: exposing historical tensions in Harry Somers's Louis Riel, Coleen L. Renihan. Part V New Creation and Collaborative Processes: Creating Pimooteewin, Robin Elliott; After McPhee: Evan Ziporyn's A House in Bali, Victoria Vaughan; West coast First Peoples and The Magic Flute: Tracing the journey of a cross-cultural collaboration, Robert McQueen interviewed by Dylan Robinson, with responses by Cathi Charles Wherry and Tracey Herbert, Lorna Williams, and Marion Newman; P
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
creation;tara;browner;horseshoe;bend;yorta;louis;riel;tomson;highway;Young Man;Holy Mountain;Chopin;Green Corn Ceremony;Horseshoe Bend;Yorta Yorta;Tara Browner;Rez Sisters;Pamela Karantonis;Cree Language;Il Guarany;Act III;Coast Salish;Okanagan People;Vancouver Opera;Libretto Adaptation;Scarecrow;Sydney Opera House;Opera Creation;Green Corn;Magic Flute;Balinese Music;Bob Baker;Played Back;Marie's Story
