Literature and Authenticity, 1780-1900

Contents: Introduction; Authentic narratives: Cowper and conversion, Michael Davies; Is he 'well-authenticated'? Robert Southey and Anna Seward, Lynda Pratt; Undefinitive Keats, Nicholas Roe; 'A kind of excuse': Shelley and Wordsworth revisited, Michael O'Neill; Authenticity projected: Alexander Pope, Lord Byron and Cardinal Newman, Bernard Beatty; Byron, candour, and fear of lying, Philip W. Martin; A 'gorgeous fabric': authentic images of India and the Orient in the works of British Romantic women poets, A.R. Kidwai; Becoming Ruskin: travel writing and self-representation in Praeterita, Keith Hanley; Authorial, antiquarian, and acting authenticity in Henry Irving's King Lear, Richard Foulkes; The authentic voice of Elizabeth Gaskell, Joanne Shattock; Anthropology, bestial humour, and the communal authentic in Cranford, Nick Davis; Thoreau and Creeley: American words and things, Geoff Ward; The robust way: 'the man said, no', Philip Davis; From Cowper to Conrad: authenticity at the end of the century, Ashley Chantler; Afterword: the authentic Vincent Newey; A Vincent Newey bibliography; Bibliography; Index.

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• Teorias literárias
• Estudos literários: c 1800 a c 1900