Interfaces of Performance
-15%
portes grátis
Interfaces of Performance
Hughes, Professor Lorna; Jefferies, Professor Janis; Zerihan, Ms Rachel; Short, Mr. Harold; Chatzichristodoulou, Ms Maria; Prescott, Professor Andrew; Deegan, Professor Marilyn
Taylor & Francis Ltd
10/2009
232
Dura
Inglês
9780754675761
15 a 20 dias
A collection of essays and interviews that investigates the practices which expand our understanding and experience of performance through the use of technologies. It explores the intersections between theatre, performance and digital technologies, challenging expectations and furthering discourse across the disciplines.
Contents: Introduction, Maria Chatzichristodoulou and Rachel Zerihan; Creative media: performance, invention, critique, Sarah Kember and Joanna Zylinska; Part 1 Environments: Environments, interactions and beings: the ecology of performativity and technics, Chris Salter; Blurring the boundaries: performance, technology and the artificial sublime - an interview with Ruth Gibson and Bruno Martelli, igloo, Janis Jefferies. Part 2 Bodies: Orlan-vertigo/self-touching-you, Simon Donger; The path to silence, Allucquere Rosanne Stone. Part 3 Audiences: Reactivation: performance, mediatization, and the present moment, Philip Auslander; Moving audiences: strategies of exposure in the work of Gob Squad, Patrick Primavesi; How to kidnap your audiences: an interview with Matt Adams from Blast Theory, Maria Chatzichristodoulou. Part 4 Politics: The tendency to 'trans-': the political aesthetics of the biogrammatic zone, Sher Doruff; Guillermo GA(3)mez-PeA+/-a: ethno-techno politics, Guillermo GA(3)mez PeA+/-a and Lorena Rivero de Beer; Performative science in an age of specialization: the case of critical art ensemble, Nicola Triscott. Part 5 Affect: Affective connection, Bojana Kunst; Love at first byte, Melinda Rackham; Conclusion, Janis Jefferies; Bibliography; Index.
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A collection of essays and interviews that investigates the practices which expand our understanding and experience of performance through the use of technologies. It explores the intersections between theatre, performance and digital technologies, challenging expectations and furthering discourse across the disciplines.
Contents: Introduction, Maria Chatzichristodoulou and Rachel Zerihan; Creative media: performance, invention, critique, Sarah Kember and Joanna Zylinska; Part 1 Environments: Environments, interactions and beings: the ecology of performativity and technics, Chris Salter; Blurring the boundaries: performance, technology and the artificial sublime - an interview with Ruth Gibson and Bruno Martelli, igloo, Janis Jefferies. Part 2 Bodies: Orlan-vertigo/self-touching-you, Simon Donger; The path to silence, Allucquere Rosanne Stone. Part 3 Audiences: Reactivation: performance, mediatization, and the present moment, Philip Auslander; Moving audiences: strategies of exposure in the work of Gob Squad, Patrick Primavesi; How to kidnap your audiences: an interview with Matt Adams from Blast Theory, Maria Chatzichristodoulou. Part 4 Politics: The tendency to 'trans-': the political aesthetics of the biogrammatic zone, Sher Doruff; Guillermo GA(3)mez-PeA+/-a: ethno-techno politics, Guillermo GA(3)mez PeA+/-a and Lorena Rivero de Beer; Performative science in an age of specialization: the case of critical art ensemble, Nicola Triscott. Part 5 Affect: Affective connection, Bojana Kunst; Love at first byte, Melinda Rackham; Conclusion, Janis Jefferies; Bibliography; Index.
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
