Identity and Locality in Early European Music, 1028-1740
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Identity and Locality in Early European Music, 1028-1740
Stoessel, Jason
Taylor & Francis Ltd
11/2009
272
Dura
Inglês
9780754664871
15 a 20 dias
A collection of chapters invited from some of the leading music researchers that consider the meanings and roles of musical repertoires of the Middle Ages, Renaissance and Baroque periods in their local context, focusing on constructions of social or individual identity and the influence of local conditions on musical practices and transmission.
Contents: Preface; Introduction; Part I Identity and Practice in Aquitanian and Iberian Plainchant: Ademar de Chabannes at the nexus of tradition and innovation, James Grier; Seeking early practice for the exultet in Iberia, Kathleen E. Nelson; Regional and royal: aspects of practice in 3 Portuguese prints of the Lamentations of Jeremiah (1543-1595), Jane Morlet Hardie; Plainsong in Eastern Spain and the tono valenciano, Greta J. Olson. Part II Late Medieval Aesthetics, Traditions and Practices: Some early references to Aristotle's Politics in Parisian writings about music, Catherine Jeffreys; Music and moral philosophy in early 15th-century Padua, Jason Stoessel; Late-medieval sacred songs: tradition, memory and history, Reinhard Strohm. Part III Local Practices in Renaissance and Baroque Music: Pervasive imitation in Senfl's Ave Maria...Virgo Serens: borrowing from Josquin in 16th-century Augsburg, Miranda Stanyon; Alessandro Scarlatti and the Roman copies of his Neapolitan compositions: a source study of the serenata Venere, Adone et Amore (1696), Rosalind Halton; 'After 6 weeks': music for the churching ceremonies of Maria Josepha, Electoral Princess of Saxony and Queen of Poland, Janice B. Stockigt; Bibliography; Index.
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A collection of chapters invited from some of the leading music researchers that consider the meanings and roles of musical repertoires of the Middle Ages, Renaissance and Baroque periods in their local context, focusing on constructions of social or individual identity and the influence of local conditions on musical practices and transmission.
Contents: Preface; Introduction; Part I Identity and Practice in Aquitanian and Iberian Plainchant: Ademar de Chabannes at the nexus of tradition and innovation, James Grier; Seeking early practice for the exultet in Iberia, Kathleen E. Nelson; Regional and royal: aspects of practice in 3 Portuguese prints of the Lamentations of Jeremiah (1543-1595), Jane Morlet Hardie; Plainsong in Eastern Spain and the tono valenciano, Greta J. Olson. Part II Late Medieval Aesthetics, Traditions and Practices: Some early references to Aristotle's Politics in Parisian writings about music, Catherine Jeffreys; Music and moral philosophy in early 15th-century Padua, Jason Stoessel; Late-medieval sacred songs: tradition, memory and history, Reinhard Strohm. Part III Local Practices in Renaissance and Baroque Music: Pervasive imitation in Senfl's Ave Maria...Virgo Serens: borrowing from Josquin in 16th-century Augsburg, Miranda Stanyon; Alessandro Scarlatti and the Roman copies of his Neapolitan compositions: a source study of the serenata Venere, Adone et Amore (1696), Rosalind Halton; 'After 6 weeks': music for the churching ceremonies of Maria Josepha, Electoral Princess of Saxony and Queen of Poland, Janice B. Stockigt; Bibliography; Index.
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
